Blackmagic Design launches two new full-frame cine cameras at NAB 2024
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Blackmagic Design is announcing its new line-up of products for ahead of the NAB trade show - and we are here to report on what the Australian professional video gear specialists have in store. You can watch the whole presentation, which lasted over two hours, on the YouTube link below. The Legacy Survey of Space and Time camera recently completed by the US Department of Energy's SLAC National Accelerator Laboratory risks making your camera setup seem inadequate. "We have not made any significant progress since last year," says Sigma owner and CEO Kazuto Yamaki, when asked about the planned full-frame Foveon camera. But he still believes in the project and discussed with us what such a camera could still offer. Popular photo sharing service Photobucket recently revealed that the 13 billion images it hosts online could be used to train AI models.
Instantly see and adjust the most important settings with a single tap!
After speaking with the Blackmagic Design reps, I opted to shoot at ISO 400 and straight out of camera I got the image I wanted with minimal fuss and minimal noise. The colors, especially the skin tones, were exactly where I wanted them. I only did minor color grading after the fact for my own aesthetic reasons, but could have easily gone with the straight out of camera footage without skipping a beat.
Feature Documentary Disunity
Choose from either V-Lock or a Gold Battery plate for 95 bucks each. Cine batteries have a huge range in their prices, from as low as 200 bucks all the way up to 1,000 dollars. The first camera we considered is the furthest from the URSA Mini Pro 12K, the Canon EOS R5. At $3,900 it’s much less money, however is not a cinema camera. Its 45MP Full-frame sensor can capture up to 8K RAW.
Storage Options
You can also add the optional Blackmagic URSA VLock Battery Plate or Blackmagic URSA Gold Battery Plate for using popular V‑Mount and Gold Mount batteries. It shoots in a variety of resolutions and frame rates, including 5.7K 60fps for smooth slow motion and 4K 100fps for crazy cinematic slow-mo. Plus, it has a horizon lock to keep your videos level no matter what you're doing and an "invisible selfie stick" effect that makes it look like you're filming with a drone. For best results, you should shoot at base ISO of 800 or under and expose to the right to allow lots of light in.
Today’s dramatic television series are shot like feature films!
URSA Mini Pro 12K with OLPF has better detail handling for high end feature film. It includes a 12K Super 35mm 80MP sensor, wide dynamic range, G5 color science, revolutionary RGBW color and in-sensor scaling. For cutting edge documentaries, you need to create a level of trust and intimacy between the director and subject that simply isn’t possible with a large crew and intimidating camera rig. The light weight and small size of URSA Mini Pro makes it unobtrusive and perfect for capturing amazing nature shots and emotional interviews. You can go from tripod to handheld in seconds to instantly follow the story.
Cinematic Super 35 12K Sensor
Want clean output to the rear 12-G SDI but need guides or something else in the front SDI port? It’s no problem, easy to do and not hard to find on the menu. Of course, the camera offers focus peaking, zebras, audio meters and histogram. On top of that, it also has false color, a safe area grid or just a grid for composition. On screen meters and status information including Camera ID, resolution, frames per second, shutter speed, gain, white balance, camera battery level, and more.
The cheaper cameras and free software just to entice customers into their ecosystem. Cinematographer Vance Burberry recently shot the launch film for James Perse’s Robertson Boulevard flagship store in Beverly Hills. Vance talks about shooting this architecturally inspired black & white commercial for this Californian fashion and homewares designer. As I said, your experience might differ, especially if you don’t use DaVinci Resolve Studio. But, if you are already connected to the Blackmagic Design ecosystem, recording in Blackmagic RAW is probably going to be a benefit rather than a drawback. We shot both cameras in Film mode and recorded in uncompressed CinemaDNG RAW.
Next generation digital film camera with 6K full frame sensor, OLPF, versatile L‑Mount and CFexpress recording!
Most importantly, it has a newly designed - and bigger - 12K full-frame sensor. New features in the Cut page - allowing it to catch up with advances Blackmagic has made to live video capture that are made possible with Blackmagic Cloud. This work was apparently slowed down by having to rewrite DaVinci to allow for Apple's M1, M2, and M3 chips.
Without a crop to the super 35 sensor, it captures up to 120fps in 8K and 60fps in 12K. Gold mount compatible battery plate with Molex connector for attaching third party batteries to URSA cameras. Turn URSA Mini into a professional studio camera with large and bright 7 inch screen, removable sunshade, adjustable mount and knobs for control of brightness, contrast and focus peaking.
The camera offers all of the bells and whistles you need on a camera. The image is stunning and its media offerings are plentiful. Was the world clambering for a 12K camera from Blackmagic? However, if high-resolution video is what you need, then it’s your only option — but it’s a good one at that. The camera should be considered a specialty cinema camera, but Blackmagic didn’t disappoint.
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And these are certainly more useable for run-and-gun style shooting. But, of course, nothing else shoots in 12K, or 8K at 110fps, in video Raw at any price. The bright 7” screen has a detachable sunshade and includes large handles and an articulated pivot mount that let you position and move the viewfinder independent of the camera! The large rotary control dials and customizable function buttons let you make on the fly adjustments without having to take your eyes off the action! Set up is quick and easy using the included V-Lock plate and it connects directly to the SDI monitor and power output on your URSA Mini, so you don’t need additional cables or power supplies.
I think, in practical terms, the best usage for 12K is for projects requiring extensive visual effects work where detail and the ability to resize assets are critical. At this point, I don’t know that most people are going to turn to 12K to shoot an extended talking heads dialogue scene. But let’s say you were doing a detailed shot of a beer bottle or something else tangible and you really wanted to show off every feature of the product. This is where the added resolution might be a good option for you. Starting with dynamic range, there is slightly more dynamic range with the C200.
With that said, however, we wish it rotated to flip the monitor for the subject to see themselves, or to be tucked back to its resting place but with the monitor facing outward. Like the rest of the camera, the monitor is stout and has a very satisfying click when closing. Blackmagic SDI Control Protocol, iPad control, Bluetooth control, 2 x 2.5mm LANC for lens and record control.
But if you can take your time and are producing assets in a more controlled environment, you would be hard-pressed to get better image quality, even at ten times the price. Trying to hold the camera out in front of you, mirrorless SLR style, for extended periods of time might do wonders for your bicep definition, but not much for the stability of your footage. This is also important because again there is no in-body image stabilization in the camera.
The touch screen of the URSA makes menu navigation easy. The Canon has a joystick on the screen and a joystick on the grip. The URSA’s menu is easier to use, however you get many more controls on the C200. For those who can use RAW in their workflow, consider the following.
It offers loads of features with a very reasonable price tag.While it’s not a category leader, it gives great value to the user. Overall, the URSA Mini Pro 4.6K is a solid cinema camera, but don’t get caught without a budget for accessories. Next, because you’ll need to power the camera, you will need a battery plate.
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